Earth Series: a static movement

By Jamie Hogue | Published On November 16, 2009 | In Arts

It was difficult to imagine how a static exhibit could symbolise movement, yet alone the powerful, ceaseless cycle of nature. Understandably, I was a little unsure of what to expect from the Earth Series, by local artist Jaq McCaughern. Immobile panels representing perpetual motion? The concept seemed neither feasible nor realistic. However, after experiencing it for myself, this is clearly an exhibition that is quite literally rooted in realism.

Walking into the gallery, I was met by a selection of soothing sounds, intermittently giving way to a more robust, forceful rhythm. The music, composed by the artist’s husband, Dan McCaughern, wholly complemented the exhibition, mirroring the textured gesso panels in the way it conveyed both the tranquillity and intensity of Earth’s elements.

A piece based on a volcanic erruption. | Photo: Jamie Hogue

The panels were introduced by the artist as being “inspired by images of the Earth from outer space”, more specifically NASA’s Landsat 7 satellite, which produces unusual pictures of the Earth by using advanced colour techniques. This inspiration was certainly evident in the wonderful cacophony of colour that characterised the pieces. A palette of rich golds, earthy greens, and deep blues revealed detailed aerial views of the Earth from above.

The majority of pieces followed this colour scheme and created a very fluid, almost oceanic feel. Other pieces introduced deep carmines and soft pinks to give a distinctly warmer tone. Terrain, for instance, is based on the pyramidal sand mounds of the Iranian desert (called star dunes) and conveys an extreme desert environment through a strong use of lines. Similarly, the warm tone and matte finish could easily show a raging lava flow. McCaughern explained that she had “wanted to give an impression of intense heat” based on elemental “eruption, erosion, and impact”.

The series is inspired by weather, sand dunes and other natural patterns. | Photo: Jamie Hogue

Perhaps the most prominent quality of the pieces was their textures, which protruded noticeably from the walls. The intricate lines, created by gilding then distressing gesso panels, create a real sense of movement. It’s easy to visualise churning tidal flows or swirling winds.

Visitors were encouraged to touch the pieces, which, when combined with the accompanying music, created something which was pleasing to the eyes, ears, and touch. McCaughern said: “I want it to be a multi-sensory experience, rather than 2D, which can be quite limiting.”

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